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  • 线路五

简介

Site 13 is a psychological horror film in the vein of HP Lovecraft. It is the story of a man who awakens from a 10 year catatonic state in a mental institution. What happened? How did he get there? And what horrible thing from his past is coming for him?

《杀手卡利》是一部拍(pāi )摄于(yú(🦐) )2016年的小(✋)成本犯(👳)罪题材(cái )电影(yǐng ),由《美国重案》的(de )理查(chá )德(🚸)·卡布(🤔)莱与《火线(xiàn )警探(tàn )》的瑞恩·多西联合(hé(💂) )主演(yǎ(🚨)n )。

54岁(suì )的凉子(中山美穗 饰(shì ))是(shì )一名(📕)小说家(😿),一天,她(✌)突(tū )然被医生诊断患上了(le )阿兹(zī(🚩) )海默症(🤢),面对可(🗺)怕的(de )病魔(mó ),凉子决定利用自己(jǐ(😚) )所剩(shè(📉)ng )不多的(🚱)时间,完成她(tā )人生(shēng )中的最后一(🦍)部小说(🧟)。在写(xiě(🥙) )小说之余,凉子在大(dà )学里(lǐ )担任讲师的(🗼)职务,一(🏂)(yī )次下(xià )课后,凉子和学生们(men )来到(dào )居酒(👠)(jiǔ )屋小(🚢)聚,在那里邂逅(hòu )了名(míng )为昌海(金材昱(➖) 饰)的(🖕)韩(hán )国(🚫)留学生。

2017戛纳影展(zhǎn )导演(yǎn )双周单(⛏)元闭幕(👁)片。美(mě(⏹)i )国导(dǎo )演吉瑞米杰斯伯编导(dǎo )作(🥖)品(pǐn ),丹(🏻)妮尔麦(😯)唐诺主演(yǎn )。故(gù )事描述一个乡镇(🌆)女孩(há(🔙)i ),追(zhuī )寻(😉)饶舌美国梦的故事(shì )。

When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.

一(yī )次难料的事件(🚆)震惊了(🍴)(le )几对(duì )汽车旅馆内偷情的夫(fū )妇。突然之(🎚)间他们(😎)就被警(jǐng )察报(bào )社给(gěi )包围了,令人奇怪(📩)的(de )是,居(📴)然没有(🚘)人能进来,也没(méi )有人能出去。不知(👃)道(dào )为(😛)什(shí )么(📠)被包围,也不知道(dào )为什(shí )么出不(🥐)去旅馆(🚂),让人(ré(💏)n )困惑(huò )也让人发笑。

本片讲(jiǎng )述的(㊗)(de )是一群(😮)年轻人(🏂)在生活(huó )、社(shè )会、情感的重压之下(xià(🧐) ),仍(réng )旧(⛓)义无反顾的追求自(zì )己音(yīn )乐梦想的故(🖕)事。

“治(zhì(🤚) )癒”睡眠,挑战人类清醒(xǐng )极限(xiàn )!

注(zhù )目の(🚬)ミステ(➗)リー作家(jiā )・大(dà )山誠一郎原作「赤い(😆)博物(wù(🚦) )館」の(🤶)ドラマ化第2弾(dàn )。松(sōng )下由樹主演(🐞)で犯罪(♓)資(zī )料(🦉)館(guǎn )緋色冴子シリーズ『赤い博(👪)物館2』(🕤)を放送(🐊)する。

From the rough streets and back alleys of Central Mumbai comes the sensational true story of Arun Gawli, a man who scripted his own destiny, eventually going on to become one of India's most feared gangsters. Today he remains an enigmatic figure; at once a volatile, power-hungry criminal for some and the respected "Daddy" or a modern day Robin Hood for the working-class neighborhood he belongs


评论

不要做“多你(🆑)一个不多(🤘),少你也个更(🔼)好”的人。—(🕞)—恩,深刻(😎)。

要讲(✊)Timing。电影这两(🛁)位,是老天(🛢)非要他们(📐)在一起。

相当(🚤)赤裸的与现(🚙)实搏斗,似(🎮)乎导(⏹)演想把所有(🐃)社会问题喷涌(♒)展现在影片(🐰)里,甚至在高(💐)邮村民口中说(🥐)出了老百姓(🍎)的悲剧,能在(🤠)当今的情况下(🤱)说出来相当(🕣)难得,向导演(🚪)致敬。女记者开(🍙)场无言,展现(🦅)失声,幼稚的(😧)行为也许是导(🛩)演想更直观(💧)展现调查记(🤧)者的会面对的(♎)危险,但也像(📲)各种细节处(🍵)理不好产(🐑)生的(⬛)尬戏,最可怕(🔉)的车祸现场(⛪)是跟教授的女(💬)学生吃西瓜(⚫)。与小女孩的奇(🐑)遇是一段妙(🏓)笔,后边段记(♓)者迷失在乡间(🏏)道路上,长时(🏢)间在黑暗里(🍞)打转与不信任(🦅)任何人的隐(✈)喻,似乎冗长(🔍)。对于社会性的(⤵)片子,应该要(👞)有更多关注(📕)。当下的媒体监(🔨)管丧失的死(🛋)结,也许很难(🚉)解开,更不(🔷)用说(⛲)体制了。

看了很多松本(💈)清张的作品(🗒),感觉(🔹)很多逻辑不(💁)通,女(🅿)主为了狠而(⏰)狠