Since early childhood, Björn has secretly carried an insurmountable fear. When his father dies of old age, he and his four sisters are each left with a video message, that makes him question everything. Director Johan Löfstedt’(🐼)s extended family play themselves in a heartfelt and unconventional film about life, death and the courage to change

都知(zhī )道尹(📃)奉(fèng )吉义(yì(😊) )士却(què )对与(🐮)他同行的李(🍩)华林知之(zhī )甚少(🔡)(shǎo )，都(dōu )知道(🈁)有个临(lín )时(📣)政府却对其(🔺)管理内务的(👘)郑靖(jìng )和并(bìng )不熟(shú )悉(🚺)，虽然(🆒)这(zhè )些人有(🚇)点陌生(shēng )，她(📸)们却是实际(🙀)(jì )存在(zài )的(🏳)女性独立运(🅾)动(dò(🚽)ng )人士，她们对(duì )独立(lì )的(🤢)贡献不算(suà(🔯)n )突出(chū )，因为(😜)路线不同(tó(💢)ng )，所以(🕞)她们一(yī )直被(bèi )我们遗(🛶)(yí )忘着(zhe )，本(bě(🔌)n )影片记述了(🕓)她们的故事(🍘)。@

Two women spend a weekend together at the North Sea. Walks on the beach, fish buns at a snack stand, mobile weather forecasts. Sky, horizon, water. One of them will soon return to her family in Argentina while the other one will try to come a step closer to the ocean. She travels to the Caribbean and the foreign makes her vulnerable. Then, the land is out of sight. On a sailing vessel she crosses the Atlantic Ocean. One wave follows the other, they never resemble. Thoughts go astray, time leaves the beaten track and the swell lulls to deep sleep. The sea takes over the narration. And when the other one reappears in it, the wind is still in her hair while the ground beneath her feet is solid. She returns and the one of them could ask: "Have you changed?

2012年的(de )一个(gè(🆎) )夜晚，自幼(yòu )在某(🏔)(mǒu )孤儿院长(😛)大的敦也（(🔚)山田(tián )凉介(🤮)(jiè ) 饰）、翔(🉑)太（村(cūn )上虹郎 饰）和(👓)幸平(😔)（宽一郎 饰(🏙)(shì )）对(duì )某(👐)女(nǚ )企业家(🐽)实施(shī )了抢(📡)劫，由于(yú )汽(🦇)车意(🔑)外抛锚，他们(men )仓皇逃到了(😀)一家(jiā )早已(🎱)关张的杂(zá(📤) )货店(diàn )内躲(💶)藏。这(🌤)(zhè )家名(míng )为浪矢杂货店(🚰)的(de )铺子此前(🍏)由风(fēng )趣和(🌨)(hé )善的老(lǎ(📄)o )人浪(làng )矢雄(🔱)(xióng )治（西田敏行(🍵) 饰）经营，数(🧒)十(shí )年前(qiá(📺)n )他出于(yú )玩(🏹)笑(xiào )帮小朋(📿)友们解答各种困扰，后(hò(🔡)u )来名(🥞)(míng )气越(yuè )来(😩)越大，以(yǐ )至(🚨)于有人专程(📰)向他咨询人(🦐)生中(zhōng )的难(🛒)(nán )题(🚹)。本来从1980年就(jiù )该沉寂的(🚭)店铺(pù )，却在(🍿)三人闯进(jì(📲)n )来后(hòu )收到(✝)了烦(🧕)恼咨询(xún )信。随后敦也(yě(🔪) )等人(rén )发现(🍘)，这些(xiē )信件(🤳)(jiàn )竟然来自(🌌)遥远的过去(👫)。神秘的(de )夜晚(wǎn )，迷途(tú )青年(niá(😀)n )执笔(bǐ )为他(🚑)人排忧解难(💴)，他们的命运(🚐)(yùn )和这(zhè )家解忧(yōu )杂货(🦄)(huò )店(👐)紧紧联系在(🧟)了一起……(💡)

郑思(sī )杰监(👟)(jiān )制，卢炜麟(🏫)执导(dǎo )的《今(👞)晚打(😵)僵尸》则是港味十(shí )足的(✍)(de )喜剧，将主攻(👒)香(xiāng )港本土(🏪)市场，不会在(🖐)内地公映(yìng )。由(yóu )白只、张继(🕠)聪主(zhǔ )演的(🎐)《今晚打(dǎ )僵(㊙)尸(shī )》则是一(😚)部(bù )惊悚(sǒ(📆)ng )题材的喜剧，该片根据余咏良(🛂)(liáng )的畅(chàng )销(📛)小说(shuō )改编(🔬)(biān )而成(chéng )。

一(👌)个年轻女孩爱上了一个(👼)比(bǐ(🤒) )他大(dà )八岁(🎖)的男人(rén )。

青(🍠)龙集团董事(😗)长过世后，给(🔨)(gěi )青龙(lóng )集(🤥)团(tuá(📀)n )太子爷留下(xià )了镇帮之(🚧)宝：一支可(🌍)以号令整(zhě(🏊)ng )个青(qīng )龙集(🍬)团所有人的(de )大哥大手提电(dià(🚵)n )话。一日，太子(♟)(zǐ )爷独(dú )自(🙂)去按摩院按(😬)摩(mó )，青龙公(🎫)司一(yī )群起(qǐ )了异心的小(xiǎ(♏)o )人得(dé )到消(🔙)息后，来到按(💮)摩院准备劫(🚝)(jié )持太(tài )子爷，夺走(zǒu )可(🥎)以(yǐ(🚔) )号令青龙公(🔷)司上下的大(🐶)哥大，欲控(kò(🐣)ng )制整个青龙(✴)(lóng )集团。哪知(🚏)阴差(🗜)阳错将身怀太(tài )极推(tuī(🐡) )拿绝(jué )技、(🏯)胸有大(dà )志(🛷)，却因低微的(👱)工作被周遭人(rén )嫌弃(qì )的按(🦅)摩师阿宝当(🐃)(dāng )成了太子(💡)爷并(bìng )将其(🕖)(qí )绑架。阿宝(🔜)(bǎo )乘乱(luàn )逃出后，去找女(nǚ )朋(👰)友阿朵，不(bú(✂) )料阿(ā )朵父(🧖)亲因欠(qiàn )人(🦐)钱(qián )，被白虎帮挟持，阿宝(👶)答应(🎥)三(sān )天内(nè(🔉)i )替阿朵(duǒ )救(👼)出(chū )父亲(qī(🍑)n )。阿宝、阿朵(💝)以及真正的(📡)太子(🏻)(zǐ )爷策(cè )划了一场一(yī(🚪) )箭双雕的好(😆)戏，却上演了(🥌)一场(chǎng )又一(⏮)(yī )场啼(tí )笑皆非的“闹剧”，一边(🌚)是青龙集团(❣)错认(rèn )阿宝(📒)(bǎo )为太子爷(💩)，一边(biān )是阿(💆)宝错认为(wéi )这是(shì )未来老丈(👱)人(rén )的考(kǎ(📦)o )题，将青龙集(📇)团(tuán )上下骗(🥋)得团团(tuán )转。阿宝和阿朵(🥛)(duǒ )从(👥)合(hé )作布局，到产生误会(🚛)，到合力(lì )救(🌍)出(chū )阿朵的(👾)(de )父亲(qīn )，磨(mó(🍛) )难重(🗾)重，考验不断。剧情跌宕(dà(🔸)ng )起伏(fú )、搞(🎟)笑逗逼(bī )，按(⬜)摩师阿宝更(🌭)是成为了承载(zǎi )底层(céng )小人(🧝)(rén )物英雄情(🍝)怀(huái )以及忠(🌭)贞爱情的一(💨)代了不起的(😜)(de )“按(àn )摩侠”！

在两轮(lún )服役后，乔(🚍)在(zài )等待(dà(🎨)i )战后综合症(🤬)(zhèng )治疗(liáo )的(⛏)过程中正常生(shēng )活逐渐(🍢)瓦解(🚇)

一(yī )段横(héng )跨二十年的(🙋)(de )恩怨(yuàn )，让沉(🌈)实稳重的赵(🍷)智勇卷入了(⏮)(le )一场(👙)(chǎng )离奇的(de )武术(shù )纷争(zhē(😢)ng )。作为双手洪(🛏)拳武馆的当(👁)家大(dà )师兄(㊙)(xiōng )，赵大勇不(bú )但表现出非凡(🌠)的武艺，而且(🌃)还(hái )以高(gā(😕)o )尚的(de )武德扭(🏊)转乾(qián )坤，并(🚯)成功化解了武馆一段陈(chén )年(✌)恩(ēn )怨……(😯)而赵大勇(yǒ(🏢)ng )的少年老成(❇)以(yǐ )及平(píng )实谦虚的作(💬)(zuò )风(😑)，却令其爱情道路(lù )曲折(🦂)连连，但(dàn )最(🤺)后(hòu )还是以(📸)实际(jì )行动(🎷)(dòng )赢(😼)得芳心，收获爱情。

Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.